Goldfinger Brownjohn

      Simplistic in concept and artfully minimal in design, artistic director Robert Brownjohn's title sequence for Goldfinger (1964) is perfectly executed.  What a brilliant idea to project sequences from the film onto the gilded body of glorious 'glamour-girl' Margaret Nolan!  A simple/cheeky idea, meticulously executed + perfect typography + the velvet rumble of Shirley Bassey = quintessentially sexy spy-junk history! His piece is not only timelessly modern and sophisticated, but stands alone as one of the most iconic pieces of 1960's design and cinema.


      SPEAKING of which... One of the MoMA's exciting recent acquisitions is none other than a series of photographs by Herbert Spencer which document Robert Brownjohn's preparatory studies for the Goldfinger title sequence! NYC friends, this collection is being presented in conjunction with the film exhibition 50 Years of James Bond and is on display until March 18th, 2013. The following are just a few of the photographs on exhibition. So beautiful:

Robert Brownjohn. Preparatory studies for Goldfinger title sequence. (1964) Photograph by Herbert Spencer. The Museum of Modern Art, New York. Gift of Don Goeman. © 2012 Eliza Brownjohn